Title: A Very Lonely Solstice Format: 12" Vinyl (Opaque Tan) Release Date: July 1, 2022
All customers will also receive a Fleet Foxes postcard (designed by Bailey Elder with a note from Robin Pecknold) in advance of the album’s expected ship date in Summer 2022.
Digital download not included.
Tracklist 01) Wading In Waist-High Water 02) Sunblind 03) In The Morning 04) Tiger Mountain Peasant Song 05) Maestranza 06) Helplessness Blues 07) Silver Dagger 08) Featherweight 09) A Long Way Past The Past 10) Blue Spotted Tail 11) If You Need To, Keep Time on Me 12) I'm Not My Season 13) Can I Believe You
Robin Pecknold brings light to the bleakest of winters with Fleet Foxes’ ‘A Very Lonely Solstice,’ a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY’s St. Ann & the Holy Trinity Church.
Now being released for the first time on vinyl, CD and digital formats, ‘A Very Lonely Solstice’ captures a poignant moment in time. The recording was originally broadcasted as a live-stream event on the winter solstice of 2020, just days after New York declared a state of emergency tightening restrictions again in response to increasing COVID-19 cases. Pecknold describes the set as “me by myself on the longest night of the year… honoring the loneliness of 2020 with a nylon string and some songs new and old.” Fans worldwide tuned in while quarantined at home, finding solace and a sense of community in a period of extreme isolation.
Much of ‘A Very Lonely Solstice’ showcases a solo focus on Pecknold who offers up acoustic arrangements of fan-favorite songs spanning Fleet Foxes’ catalog. Selections cover all four of the band’s studio albums, including their 2008 self-titled debut album (“Tiger Mountain Peasant Song”) to 2011’s Helplessness Blues (“Blue Spotted Tail”) and 2017’s Crack-Up (“If You Need To, Keep Time On Me”), all the way to their latest GRAMMY-nominated release, Shore. Resistance Revival Chorus joins Pecknold on Shore tracks “Wading In Waist-High Water” and “Can I Believe You.” Also featured: a cover of Nina Simone’s “In The Morning” and a rearrangement of the traditional “Silver Dagger.”